No, my precious!

Since I am not a published author and I am too lazy to come up with my own, I have been using Nathan Bransford's revising checklist to edit my book. And this was how I felt when I first read his list: 

(oh my God my book is pathetic why did I start writing it in the first place MY LIFE SUCKS)

My book needed help. A lot of it. So, for a couple of weeks I danced around the prospect of actually sitting down and editing it. And finally, about a week ago, a dived headfirst into the process. 

Tips on How to Start and Carry Out the Editing Process:

1. Be a lazy jerk. 

Give your work to other people. And why not? Throw in the revising checklist, too. 

There's only so far you can go on your own. As you read your own writing, it's sometimes hard to put yourself in the mindset of a casual reader. If you give your work to other people, you are likely to get feedback that points out mistakes you wouldn't have noticed on your own. 

2. Make your characters your BFFLs. 

When it comes to your characters, don't concern yourself with personality, body expressions, or tone of voice. Focus on one thing: motivation. Why does that character exist? What is the purpose of that character in terms of plot? As long as you CONSTANTLY have your characters' motivations in mind, the rest will almost certainly fall into place. 

If you ask yourself, "What is my character's motivation?" and you can't come up with an answer, TAKE THAT CHARACTER OUT. Flat characters, or useless characters, do nothing to support the book, so you might as well remove them.ed

3. If it doesn't help the plot, TAKE IT OUT (please note how that was in all caps). 

Whether it's characters, scenes, or subplots, if it doesn't help the overall plot line, it's not worth keeping it. Don't concern yourself with word count. It's quality, not quantity. 

Make sure EVERY SINGLE SCENE brings the plot forward in some way. Every other scene should involve the main conflict in some form. If not, take it out. 

4. No, my precious! 

As you edit, try not to look at your writing as your own writing. Look at it as someone else's writing. Slash and tear at it as much as you can. Be ruthless. That way, you can (partly)

overcome the need to protect your writing as though it is your precious. 

Hope that helps! 

There's More to 'I' Than You Think

First person narrating is reader friendly. It makes you connect with the main-character, like you're his/her best friend. When used correctly, it's an excellent way of sucking your character into your book.

It has the potential of being a writer and a reader's best friend, but it also has a way of being a writer's downfall, as well as a reader's torture.

PROS

1. Make it unique, make it interesting, make it fast

When you're writing from a character's perspective, you often have an idea of what that character is like already floating around in your head. You can implement that personality into your writing easily. Fit in your main character's thoughts here and there, make that character interact with others in a unique and interesting way, and voila! you have a surefire way of snagging readers with your distinct and engrossing character.

2. Hey, I just met you, and this is crazy, but here's my number...(okay I'll just shut up now...)

When a book is written in first-person, I often finding myself wondering, 'Would I react to this scenario like the main character did?' I find myself connecting with the MC's actions and feelings, and thus I find myself more interested in that character, and therefore more interested in the book. The main character quickly becomes my personal BFF in the book-world she is guiding me through.

CONS

1. Why are you so stupid, Main Character?

Realize that the whole plot of your book is inside the main character's head. So anything that the main character doesn't experience in some way...well, you just can't include it.

So, what if this detail is important to the overall plot line but you can't include it because the main character wasn't there when it happened? What if all the other characters know something the main character doesn't and the reader HAS to know what the main character doesn't know but the main character is the narrator of the story so how does the reader find out that information?

I'm sorry. Really, I'm very very sorry. I cannot help you.

2. One viewpoint, one story. One direction. (just made a 1D reference right there...anyone? anyone?)

When writing from one viewpoint, you'd better be sure that it is a viewpoint that can take you through the WHOLE ENTIRE story without becoming boring. Which means your character better be interesting...AND consistent. If you have a bland POV, the reader will become aware of the fact that your character is not interesting, and therefore your book is not interesting. And as for consistency...if your character is moody and angry for one chapter and happy and joyful for another chapter for absolutely no reason, your reader gets disoriented and confused, and will thus let go of your book.

Happy writing!

See Veronica Roth's comment on first-person writing here.

NaNoWriMo

NaNoWriMo
National Novel Writing Month

In my quest to write a novel in one school year, I have discovered the wonders of NaNo. 
What is NaNo about, you ask?

It's writing a novel. 
In one month. 
50,000 words long. 

NaNo is a pretty awesome opportunity for writers. It is a chance to loosen up and write down something that has not been thought through at all and will probably be the craziest thing you've ever written. 

But that's okay. Aren't the most amazing things you've ever read also the craziest, most unique things you've ever read?



Come on, a guy living in a hole in a ground? That's a guy with no life, not a mobbit. Wait, a hobbit? 
Kids killing kids? What kind of world is that? Do you actually think that anyone would read something that depressing?
A kid who goes to school at a magical wizard school? Excuse me, but do you think we're five year olds? 



Imagination sometimes comes in a hurry. When you have a short span of time (like a month), your brain is pulling things out of the air. (Please imagine, for a moment, the time when you did not study for a test and in the last five minutes of exam time you wrote down whatever you could think of even though it didn't make complete sense). 

About 100% percent of the time when you're writing your 50,000 NaNo words, whatever you write down is not perfect. 
But it's probably good. 

And there are a lot of people who worked with good and made awesome, right?

*cough cough J.K. Rowling, J.R.R. Tolkien, Suzanne Collins cough cough*

There may be a future for your NaNo novel. But you have to make it. 

P.S.  I love the coffee cup on the NaNo emblem-thingy (because that's what NaNo is all about). 

A Comment about Writer’s ‘Throw-up’

Many writers talk about something called ‘writer’s throw-up’. It’s when a writer simply writes about whatever first comes to mind, without pausing to edit this, delete that. It is the time when ‘true ideas’ come out, or the time when we write like we think.

Writer’s throw-up may be messy, but there are pretty things inside all of that nonsense you just wrote in your notebook. Maybe a touching sentence about human nature that you want your character to say, or maybe an idea you will (eventually) elaborate on. With writer’s throw-up comes an idea, and from an idea comes amazing stuff.

See: http://www.veronicarothbooks.blogspot.com/2012/08/loud-ugly-wild-free.html